Nat Muller, PhD, is an Amsterdam-based independent curator, writer and researcher with a focus on contemporary art from South West Asia and science fiction. In 2019 she curated the Danish Pavilion at the 58th Venice Biennale featuring Larissa Sansour. Her writing has been published in peer reviewed journals such as SFRA Review, Science Fiction Studies, Art Margins and Perspective Journal, as well as in art publications, including Hyperallergic, Ocula, Art Basel. She has curated exhibition projects and film screenings internationally for museums, art institutions, film festivals, art fairs, and commercial galleries. Muller has written numerous catalogue texts and has edited several artist monographs, including Sadik Kwaish Alfraji (Schilt Publishing, 2015); Nancy Atakan: Passing On (Kehrer Verlag, 2016); Walid Siti (Kehrer Verlag, 2020), and most recently Muhannad Shono [Works 2014-2024] (Kehrer Verlag, 2024). She is co-editor of Larissa Sansour Envisions the Future, the first academic volume on Sansour’s work (forthcoming, Peter Lang, 2025). Her monograph Science Fiction in Contemporary Art from the Middle East is forthcoming with Palgrave Macmillan. She has taught across universities and art academies in the Netherlands and internationally.
